252a): τίνι, with one, Luke 23:55 ( Tr text brackets the dative) Acts 1:21 (here A. to go (depart) or come with one, to accompany one (see ἔρχομαι, II., p. § 4 Josephus, Antiquities 7, 8, 1 and 7, 9, 5 Apollod.
Weiss at the passage (and the opinions in Meyer)) ( Xenophon, mem. Like the Latin convenio equivalent to coeo: of conjugal cohabitation, Matthew 1:18 (but cf.
marginal reading in congregation), 1 Corinthians 11:18 ( Winers Grammar, § 50, 4 a.).ī. Winer's Grammar, 215 (202))), Mark 14:53 (here T WH text omit Tr marginal reading brackets the dative) John 11:33 with adverbs of place: ἐνθάδε, Acts 25:17 ὅπου, John 18:20 (followed by an infinitive of purpose, Luke 5:15) followed by εἰς - indicating either the end, as εἰς τό φαγεῖν, 1 Corinthians 11:33 or the result, 1 Corinthians 11:17, 34 ἐν ἐκκλησία, in sacred assembly ( R. 1 d.), 1 Corinthians 11:20 1 Corinthians 14:23 (here L text ἔλθῃ) with a dative of the person with one, which so far as the sense is concerned is equivalent to unto one (for examples from Greek writings see Passow, under the word, 2 (Liddell and Scott, under the word, II. to assemble: absolutely, Mark 3:20 Acts 1:6 Acts 2:6 Acts 10:27 Acts 16:13 Acts 19:32 Acts 21:22 ( G L T Tr WH) ( 1 Corinthians 14:20 followed by ἐκ with the genitive of place, Luke 5:17 Lachmann text) followed by εἰς with an accusative of the place, Acts 5:16 πρός τινα, Mark 6:33 Rec. Speaking about the new reboot of Teenage Mutant Ninja Turtles (2014), star Will Arnett has been quoted as saying (without a hint of irony), “ It’s almost like New York is another character in that film.Thayer's Greek Lexicon STRONGS NT 4905: συνέρχομαι
THEY CAME TOGETHER SERIES
In addition to the above descriptions of the Big Apple’s role in They Came Together and Manhattan, it’s been cited by critics and journalists as having uncredited roles in movies such as The Super (1991) and She’s Lost Control (2014), and TV shows including Gossip Girl (2007-2012), Louie (2010-present), and the new series Power (2014). 1 thing that’s most frequently offered up as the unbilled third or fourth character is New York City. Discussing Drag Me to Hell (2009), writer-director Sam Raimi said that “ the supernatural … is almost another character,” while in an interview about Pacific Rim (2013), writer-director Guillermo del Toro said he and his effects crew decided on “ making the water become almost another character.”Īs Wain’s particular use suggests, the No. While the threadbare notion is most common from critics, it’s not at all unusual to hear it out of the mouths of filmmakers as well. In 1993, no less than Woody Allen said of Manhattan (1979) that he decided to shoot it in black-and-white because it would give “ a great look at New York City, which is sort of one of the characters in the film.” The following year, Quentin Tarantino said that violence could be “ like another character in the room” while discussing Reservoir Dogs (1992).
THEY CAME TOGETHER SERIAL
While Ebert was a serial offender, he was far from the only one. Perhaps it’s no coincidence that other critics who write for his site also often employ the phrase.
While we found a couple of earlier instances of the phrase from theater and book reviews, we couldn’t find any earlier instances of people using it about movies, or nearly as frequently.
In a 1995 article on My Family, Ebert noted that the clan’s house “grows and changes through the decades with the family, until it becomes almost a character in itself.” Other non-characters on which he bestowed (or “almost” bestowed) characterdom in the coming years include the staircase from What Ever Happened to Baby Jane? (1962), the rest home in Bubba Ho-Tep (2002), a space suit in My Favorite Martian (1999), the car in Starsky & Hutch (2004), and “ the look of the film” in Insomnia (1997). Ebert used the critical cliché early and often: In a 1985 review of Witness, he wrote that the lovers’ “ physical attraction for each other is so strong it almost becomes another character in the movie.” And even as the phrase grew hoary, the prolific critic continued to employ it again and again.
THEY CAME TOGETHER MOVIE
Where did this overused turn of phrase come from? It may have been popularized by one of movie history’s most well-known critics: Roger Ebert.
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